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Monographs
Millar, Jeremy, and Bode, Steven, The Clearing, (London: Film & Video Umbrella, 2005), ISBN 1-90427-021-2
Gersht, Ori, and Ferguson, Tracey, Day by Day, (London: Pocko, May 2002)
Joanna, Lowry, and M., Omer, Afterglow, (London: August Media and Tel Aviv Museum, May 2002), ISBN 1-902854-17-9
Books and Catalogues
Lurie, Aya, and Goren, Nili , Depletion - Works from the Doron Sevvag Art Collection (Tel Aviv: Tel Aviv Museum of Art, 2008), ISBN 978-965-7161-67-8
Jones, Mark, V&A - 150 Anniversary , (London: Victoria & Albert Museum, 2007)
Secrist, Carrie , The Last Seduction of Welcome Surrender to Beauty , (Chicago: Carrie Secrist Gallery, 2007)
Anonymous , Moods and Modes in Israel Photography , (Israel: Tel Aviv, Tel Aviv Museum of Art, 2007), p.36-29, ISBN 978-965-7616-57-9
Ana Botella Diez del Corral and Suárez Vera, Rosa, First Architecture Art and Landscape Biennial of the Canaries, (Canarias: Gobierno de Canarias, Ministero de Cultura, 2007), ISBN 978-84-7947-433-1
Goodman, Susan Tumarkin, Dateline: Israel - New Photography and Video Art - The Jewish Museum of New York, (Yale University Press, 19 March 2007), ISBN 978-0-300-11156-9
Jaeger, Anne-Celine, Image Maaakers Image Takers, (London: Thames & Hudson, 2007), p. 210-211, ISBN 13 978-0-500-28662-3, ISBN-10 0-5--28662-0
Wieczorek, Alfried and Schirmböck, Thomas , My Vision - Ideen Für die Welt von Morgen, (Heidelberg: Kehrer, 2007), ISBN 978-3-939583-25-7
Barnes, Martin, and Best, Kate, Twilight - Photography In The Magic Hour, (London: V&A and Merrell Publishers Ltd, 2006)
Katz-Freiman, Tami, Fatamorgana- Illusion and Deception in Contemporary Art, (Israel: Haifa Museum of Art, 2006)
Townsend, Chris, New Art From London, (London: Thames & Hudson, 2006), ISBN-13 978-0-500-28606-7, ISBN-10 0-500-28606-X
Zaya, Octavio, Inside-Out-Contemporary Artists from Israel, (Vigo: Marco Museum, 2006), ISBN 84-934364-6-1
Anonymous, Photo España, 04, (Madrid: La Fabrica, 2004), ISBN 84-9571-97-3
Anonymous, Tales of The City, (Bologna Fiere: British Council, 2004),
ISBN 88-422-1232-6
Cotton, Charlotte, The Photograph as Contemporary Art, (London: Thames & Hudson World of Art, 2004) p.170-171, ISBN 0-500-20380-6
Bush, Kate, and Rogers, Brett, Reality Check, (London: British Council, Cornerhouse Publications, 2003) ISBN 086-355-3047
Tel Aviv Museum of Art, Young Israeli Art: The Jacques And Eugenie O'Hana Collection, (Israel: Tel Aviv Museum of Art, 2003), ISBN 965-7161-04-5
Tel Aviv Museum of Art, Israeli Contemporary Photography- Three Generations, Cat 8, (Israel: Tel Aviv Museum of Art, 2003)
The Metropole Galleries, Strangers To Ourselves, (Folkestone: The Metropole Galleries, 2003), ISBN 0-9518262-2-0
Van Loenen, Clare, Up Close and Personal, (Nottingham: Nottingham Castle Museum, 2003), ISBN 0-905-634-659
Gercke, Hans, and Heidelberger Kunstverein, Der Berg, (Heidelberg, Heidelberger Kunstverein, 2002), ISBN 3-933257-99-9
Müller, Vanessa Joan, Non-Places, (German: Frankfurter Kunstverein, Lukas & Stenberg, Frankfurt Am Main, 2002) ISBN 978-0-9711193-3-8
Stout, Katharine , Afterglow: Katharine Stout in Conversation With Ori Gersht , (London: August and Israel: Tel Aviv Museum of Art, 2002), p.137
Omer, Mordechai, Afterglow - Ori Gersht: The Pursuit of the Concealed or Photography as Autobiography , (London: August and Israel: Tel Aviv Museum of Art: 2002), p.145
Millar, Jeremy, The Clearing Ori Gersht: Speak, You Also , (London: Film and Video Umbrella, 2005), p.9 - p.19
Anonymous, Six International Fototage Herten Catalog, Das Bildforum , (German: Herten, 2001)
Barley, Nick , and Ireson, Ally, City Levels, (London: Birkhauser, 2000), p.24, 25, 53, ISBN 3-7643-63150
Dillon, Tamsin, Don't Worry, (London: Chelsea & Westminster Hospital, 2000)
McNeill, Anne, Warning Shots: Contemporary Art Exploring Themes of Conflict and Violence (London: Trustees of the Royal Armouries, 2000),
ISBN 0-948092-44 0
Gielen, Denis , Para-Site-'Passage autorisé', (Brussels: Gulden Vlies Galerijen, 1997)
Anonymous, Lightness & Weight, (London: Not Cut, 1996)
Kilsby, Paul, After the Flood, (London: Andrew Mummery Gallery and Royal College of Art, 1996)
The John Kobal Foundation, John Kobal Award 1996, (London: National Portrait Gallery)
Periodicals
Anonymous, "50 British Artist in This Time, Tokyo lto: Ori Gersht", Avant-garde Japanese Art Magazine, vol.2, (2007), p.21
James, Sarah, "What Can We Do with Photography?", Art Monthly, No.312, ( December 2007 to January 2008), p.1-4
Loomes, Amanda , "War & Flowers & the Lessons in Between", Total: Spec , Issue 25, (October 2007)
Dykstra, Jean, ' The Ultimate Present', Art on Paper, vol.12, no.1, (September/October 2007), p 34-35
Dyer, Richard, "Towards the Re-Presentation of History: Ori Gersht in conversation with Richard Dyer", PLUK, No.28, (Jan/Feb 2006), p.28-33,
ISSN 14739933
Gersht, Ori , "Selection of Images: Front Cover", The New Rainbow (A Keshet Ahadasha), 18, (Winter 2006), p.22, 56, 98, 120, 183, 201, ISSN 1565-3692
Gersht, Ori, "Inside and Back Covers", Day Light Magazine, 4, (April, 2006), ISSN 1550-7343
Haworth, Hennie, "Lest We Forget", Cent, Issue 6, (Spring 2006)
Sherwin, Skye, "Blood Harvest: Ori Gersht", Art Review, Issue4, (October 2006), p.126-127, ISSN 0004-4091
Gavin, Miranda, "Distilling The Essence" Hot Shoe, No. 138, ( October/November 2005), p.18-25
Rappolt, Mark, ' Ori Gersht: Being and Nothingness ' Modern Painters, (April 2005), p.90-93
Gersht, Ort, "Rear Window", AA Files , 49, (2003), p.70-75, ISSN: 0261-6823
Kubicki, Kathy, "A Sense Of Place In The Work Of Ori Gersht & Shirin Neshat", Filmwaves Art In Shight , Issue 20, (January 2003), p.5-7
Lowry, Joanna, "Being There", PhotoWorks, 2, ISSN 1-903796-07-5, (January 2003), p.5-7
Wainwright, Jean, "Ori Gersht - Interview with Jean Wainwright", Audio Arts Magazine , Vol. 21, No.2, (2003)
Brittain, David, "The Knowledge Factory", Portfolio, No.35, (June 2002)
Coomer, Martin, "Afterglow", Time Out London, No.1657, (15 MAY 2002)
Nahshon, llan, "Ori Gersht- Interview", Yediot Aharonot Newspaper: Galleria Supplement, (10 May 2002), p.68-72
Tamhane, Swapna, "All Borders Will Dissolve" Flux , Issue 31, (June/July 2002), p.32-33
Falconer, Morgan, "Ori Gersht: Afterwar, AA Files", Art Review Profile, 42, (July/August 2001), inside cover and p.36-38, ISSN 0261-6832, ISBN 1-902902
Falconer, Morgan, "War Baby", What's On, (30 May 2001)
Gersht, Ori, "White Noise", Muza Art Quarterly, 4, (April 2001), p.64-65, [Hebrew]
Gersht, Ori, "White Noise" Hot Shoe International, (May/June 2000), p.14-19
Tel Aviv Museum of Art "Pitch", Studio Art Magazine , 116 (Israel: August/Sepetember 2000), p.25-33, [Hebrew]
Anonymous, "Afterwars, Bosnia", Portfolio , Issue 30, (Edinburgh, November, 1999), p.46-48
Anonymous, "Afterwars, Bosnia", Zoo , 3, (London: October, 1999), p.310-311
Anonymous, "Afterwars, Bosnia", Everything Magazine , 24, (London: 1999), p.26,27,30
Anonymous, "Special for Studio: Afterwars and Rear Window", Studio Art Magazine , 101, (Tel Aviv: 1999)
Masrerson, Piers, "Afterwars, Bosnia", Creative Camera, Issue 360, (London: October/ November 1999), p.20-27
Radio
Alibhai-Brown , "New Brit Art, Programme 3: Ori Gersht", BBC Radio 4 , produce Michael Nagla (2003)
Reviews
O'Sullivan, Michael, "A Fruitful Take on the Frailty of Human Life", Washington Post , (January 2, 2009), WE22
Wainwright, Jean, "Exhibition Review - Ori Gersht. Time After Time", Art and photography , Volume 1, Issue 1, (July 2008), p.115 - 118
Wainwright, Jean, "Time After Time - Ori Gersht", Next Level , Edition 13,
(May 2008)
Armstrong, Carol, "Ori Gersht: Blow Up / Time After Time - Art and Violence: On Ori Gersht, portfolio , No. 47, (May 2008), p.24-29
Nys Damvrot, Shana, "Ori Gersht: Time Flods", Ar Review , Issue 22, (May 2008), p.138
Guidicini, Francesco, "Art as refuge", Times Online , (11 May 2008)
Gavin, Miranda, 'Ori Gersht: Time After Time', Hotshoe, (December 2007 / January 2008), p. 66-67
Miller, Alicia , "Time After Time: The Shattering of Beauty and Frailty", Source , (Winter 2007), p.68-69
Birke, Judy, "A family diary and the Holocaust inspire haunting Gersht work at Yale CBA,' New Haven Register, (24 November 2007)
Callow, Aaron, "Single Shot", Aesthetica, (1 February 2007)
Cotter Holland, 'Dateline Israel New Photography & Video Art, Jewish Museum: Snap Judgments of Israel, More Than Words Can Say'', The New York Times, (14 April 2007)
Dorof, Jakob, "Ori Grsht's 'uniquely powerful' video installation arrives at British Art Center", Yale Daily News, (4 Dec 2007)
Gersht Ori, ' Exploding Flowers and Other Matters', Exit, Issue 6-28, (November 2007), p 44-49
Hernando, Javier , "La pintura y el tiempo
Video killed the painting star
", Comisarios Cultural Supplement of El Mundo -El Cultural, (2007), [Spanish]
Kobasa, Stephen V. , 'Ori Gersht @ YCBA', Big Red and Shiny,
(23 December 2007)
Porcel, Violant, "Loop: cinco anos 'vendiendo' video", LAVANGUARDIA CULTURAS, (23 May 2007)
Bankes, Ariane "Twilight, Victoria & Albert Museum: The Witching Hour", The Spectator Magazine, (21 October 2006), p.60-61
Bogonien, Eithan, "The Forest, Tel Aviv Museum", Globes Newspaper: Culture Supplement, (8 October 2006), p.12, [Hebrew]
Campbell-Johnston, Rachel, "The Clearing Photographers Gallery: Critic's Choice: Top Five Galleries" The Times, (Wales/ West England: 11-17 March 2006), p.37
Evans, Gareth, "Single Shot, Tate Britain", Time Out London , (15-22 November 2006), p.88
Evans, Gareth, "Single Shot, Tate Britain: Experimental as anything", Time Out London, (15-22 November 2006), p.81
Exley Roy , "The Clearing Photographers Gallery: Ori Gersht", Flash Art, No.247, (March/April, 2006), p.113
Glover, Michael, " Single Shot, Tate Britain: Keep it short, keep it sweet", The Times, (08 Nov 2006), p.15
Gillerman, Dana, "The Forest & Liquidation: Tel Aviv Museum & Noga Gallery", Haaretz Newspaper: Galleria Supplement, (15 September 2006), p.3, [Hebrew]
Haggith, Toby, "Ori Gersht - The Clearing", Filmwaves Art In-Sight, issue30, (2006), p.16-18. ISSN I4604051
Kent, Sarah , "The Clearing Photographers Gallery: Review Of The Week: Ori Gersht", Time Out London , (25 January 2006)
Macdonald, Fiona, "Twilight, Victoria & Albert Museum: Magic of the lens at twilight", Metro , (13 October 2006), p.37
Princennthat, Nancy, "The Forest: Ori Gersht at CRG", Art In America, (May 2006), p.184-185
Sumpter, Helen, "Twilight, Victoria & Albert Museum: Lost in the twilight zone", Time Out London, (8-15 November 2006), p.44
Sheffi, Semadar, "Liquidation, Noga Gallery", Haaretz Newspaper: Galleria Supplement, (20 October 2006), [Hebrew]
Simpson, Millie, "The Clearing: Photographers Gallery", The Drawbridge , 3, (Autumn 2006), p.1
Steeds, Lucy, "The Clearing Photographers Gallery: Ori Gersht - The Clearing" Art Review , No.62, (March 2006), p.126
Sumpter, Helen, 'Lost in the Twilight Zone' , Time Out,
(8-15 November 2006), p.44
Timothy, Liu, "Ori Gersht New York", Art Paper, (May/June 2006), p.64-65
Tzuor, Uzi, "Liquidation, Noga Gallery ", Haaretz Newspaper, (29 September 2006), p.3, [Hebrew]
Anonymous , "Julianne's Birthday Present", US Weekly, (December 2005)
Anonymous, "Memoire d'holocauste", LeMonde.fr , (14 December 2005)
Anderson, Hephzibah, "Critic's Choice Top Five Exhibitions", Evening Standard, (8 December 2005)
Graham-Dixon, Andrew, "New Masters: Andrew Graham-Dixon examines Tom Hunter and Ori Gersht's modern photographic interpretations of Renaissance and Baroque paintings", Telegraph, (11 December 2005)
Searle, Adrian "Secrets of the forest", The Gaurdian, (20 December 05), p.18-22
Arrari, Ido, "Blaze, Noga Gallery", Marriv Newpaper: Culture Supplement, (24 September 2004), [Hebrew]
Ebony, David, "Ghost, CRG Gallery: Edgy Armory Show In The Spotlight", Art In America , Vol.92, No.5, (May 2004), Front Page, p.47-48
Gilerman, Dana, "Blaze: Noga Gallery", Haaretz Newspaper: Galleria Supplement, (20 September 2004), p. D4, [Hebrew]
Gould, Simon, "The Austrian Cultural Forum", Contemporary Magazine , No. 70, (London: 2004), p.66-67
Green, Tyler, 'LA Galleries Roundup, Part Two: Ori Gersht at Angles Gallery, Modern Art Notes", Tyler Green's Modern and Contemporary Art Blog,
(4 June 2004)
Morland, Caherine, "Ori Gersht @ Andrew Mummery Gallery: Blaze", KultureFlash, No.69, (8 November 2004), p.76
Meri, Rivka, "Blaze, Noga Gallery", Time Out Tel Aviv, (9 th -14 th September 2004), p.89, [Hebrew]
Myers, Holly, "Sense of Mysticism and Sense of Balance, Weathered but living ghost: Angles Gallery", Los Angeles Times, (18 June 2004)
Ruti Director, "Blaze, Noga Gallery", Hair Magazine, (9 September 2004), p.70, [Hebrew]
Soutter, Lucy , "Trees and Culture", Source Magazine, 41, (Blaze, AMG Gallery: winter 2004), p.46-47
Sumpter, Helen , "Ori Gersht: Blaze, Andrew Mummery", Time Out London, (11-17 October 2004)
Siman, Nomi, "Blaze, Noga Gallery", Haaretz Newspaper, Galleria Supplement , (24 September 2004), p. D3, [Hebrew]
Douglas, Sarah, "Ori Gersht", The Art Newspaper, No.132, (January 2003)
Sholis, Brian, "Ori Gersht: CRG Gallery", Flash Art International, No.229, (March/April 2003), p.110-111
Anonymous, "Quotidien de la FIAC", No.5, Les Journal des Art, (24-28 October 2002), [French]
Güner, Fisun , "What Lies Beneath?", Metro (23 May 2002)
Coomer, Martin, "The Knowledge: My Name Is... Ori Gersht", Time Out London, (15-22 May 2002)
Dykstra, Jean , "Afterglow: Ori Gersht", Art on Paper , Vol. 7, No. 1, (2002), p.110
Douglas, Sarah, " Ori Gersht: White Noise, Angles Gallery Los Angeles", The Art newspaper , No. 127, (July/August 2002), p.9
Fergusson, Ben , "Day by Day", Art Review (2002)
Kebble, Marl, "World Cup: Blood, sweat and tears", Angel Magazine, (June 2002)
Garbuz, Tali, "Tel Aviv Museum: Afterglow", Hair Magazine, (13 June 2002)
Goldfine, Gil, "Tel Aviv Museum: Afterglow", Jerusalem Post, (31 May 2002)
Gordon, Irina, "Afterglow", Haaretz Newspaper: Literature & Culture Supplement, (June, 2002), [Israel]
Kent, Sarah, "Tate Britain: Afterglow", Time Out London , No.1663, (3-10 July 2002)
Kuni, Verena, "Non-Place: Kunstverein Frankfurt am Main", Frieze, 67, (May 2002), p.102-103
Sheffi, Smadar, "Ephemeral Tracks", Haaretz Newspaper: Galeria Supplement, (8 August 2002), [Hebrew]
Pitman, Joanna, "A Voice From the Desert", The Times, (29 May 2002)
Tate Britain, "Art Now - Ori Gersht: Afterglow", Absolutearts.com , (May 2002)
Tzuor, Uzi, "Two Photographers - Two Worlds", Haaretz Newspaper: Literature & Culture Supplement, (15 September 2002), p. 4-5, [Hebrew]
Wainwright, Jean , "Ori Gersht", Art Monthly (July/August 2002)
Wainwright, Jean, "Ori Gersht", PLUK, (Issue 7, July/August 2002)
Schmitz, Rudolf , "Es drect sich das Drehkreuz, als war's ein Karussell", FAZ -Frankfurter Allgemeine Zeitung, (3 April 2008) [German]
Anonymous , "Nicht-Orte" PRINZ (April 2002) [German]
Owczarek, Tina , "Non-Places" Fritz, das Magazin (April 2002) [German]
Jansen, Gregor , "747 -Wandeln an, über, um Nicht-Orte(n)" Blitz Review (15 March 2002) [German]
Buhr, Elke , "Im Transitraum", Frankfurter Rundschau (12 March 2002) [German]
Hohmann, Silke , "Wann ist ein Raum ein Raum?", Journal Frankfurt (15-28 February 2002) [German]
Hierholzer, Michael , "Vom Leben in den immergleichen Vorstädten", FAZ -Frankfurter Allgemeine Zeitung , (24 February 2002) [German]
Huther, Christian , "Allerweltsarchitektur trifft Multikulti" Frankfurter Neue Presse (22 February 2002) [German]
Gries, Benjamin , "Kopftuch -fertig ist die falshce Muslimin", Mainzer Rhein Zeitung , (4 February 2002) [German]
Anonymous, "Afterwars exhibit exposed in Belfast", Andersonstown News, (9 June 2001), p.34
Garbuz, Tali, "White Noise: Noga Gallery", Hair Magazine, (5 April 2001), p.132, [Hebrew]
Gillerman, Dana, "White Noise, Noga Gallery ", Haaretz Newpaper: Galleria Supplement, (April 2001), [Hebrew]
Melzer, Gilad, "White Noise: Noga Gallery", Yediot Aharonot Newpaper, (April 2001), [Hebrew]
Whiters, Rachel, "Afterglow - Tate Britain, Mass Culture -Andrew Mummery Gallery", Art Forum OnLine, (2001)
West, Richard, "Afterwars", Source Magazine, Issue 28, (Autumn 2001), p.46-47
Anonymous, "Pitch: Chisnehale Gallery", Hot Tichets, (22 September 2000)
Anonymous, "They think it's all over", GQ (2 October 2000)
Chisnehale Gallery, "Pitch: Stadium Art" Flash Art International, No.214, (October 2000), p.41, ISSN 7336-164783
Currah, Mark, "Pitch: Chismehale Gallery", Time Out London , Issue1573, (11-18 October 2000)
Green, Alison, "Don't Worry", Art Monthly, (May/June 2000)
Morley, Simon, " Pitch: Ori Gersht-Chisnehale Gallery", Independent on Sunday, (08/10/2000)
Richman, Simmy, "Pitch: Chisnehale Gallery - They Think It's All Over", Independent on Sunday, (September, 2000)
Searle, Adrian, "WarningSHOTS!", The Guardian, (June, 2000)
Green, Alison , "Don't Worry" Art Monthly (Issue 236, 2000)
Geldard, Rebecca, "AfterWars", londonart.co.uk magazine, (16 June 1999)
Gilman, Dana, " Vital Signs: Noga Gallery", Hair Magazine, (October, 1999), [Hebrew]
Masterson, Piers, "Afterwars", USA: Art Paper , (Sepetember 1999)
Melzer, Gilad, "Vital Signs: Noga Gallery", Yediot Aharonot Newspaper, (November 1999), [Hebrew]
Shermurli, Yuav, "Vutal Signs: Noga Gallery", Tel Aviv: Hair Magazine, (1999), [Hebrew]
Thrift, Julia, "Ori Gersht: Andrew Mummery (Upmarket)", Time Out London, No.1504 (16-23 June 1999)
Townsend, Chris , "Seen: Ori Gersht, 'After Wars'", Hotshoe , (June 1999)
Rollin, Pierre-Oliver, "Para-site 'Parasitsme' Structurel", Art & Culture, Brussels, (April 1997)
Anonymous, "Light & Weight, Birmingham", Artists Newsletter,
(September, 1996), p.27
Hubbard, Sue, "Deep Signal", Time Out London, (18-25 September 1996), p.50
Masterson, Piers, "Lightness & Weight, Birmingham", Untitled,
(September, 1996)
Anonymous, "Update", Art Review , (May, 1995)
Anonymous , "Hotshots: South Bank Photo Show", Time Our London, (15-22 June 1994)
Anonymous, "Shop Window", Art Review, (April, 1993), p.42
Anonymous, "Playing with Reality", New Moon , (November, 1992)
Anonymous , "People", HotShoe International, No. 64, (1992), p.6
Mark, Little , "Ori Gersht", Newcastle: The Crack , (August, 1992), p.39
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